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This provides an essential backdrop to the discussion of the production of precedent which the article goes on to discuss. The final section of the article contests the assumption that vanishing trials lead to a decline in precedent, drawing on a collation and analysis of seventy years of government data on civil litigation cases.

It shows that, despite contra-predictions, the number of appellate court judgments has increased while cases coming into the system and proceeding to trial have decreased. Further, it considers what House of Lords and Supreme Court data reveal about demand for precedent and the sort of cases that are taking up Emapalumab-lzsg Injection (Gamifant)- FDA greater proportion of Supreme Court time in the twenty first century.

All publications View all Journal Article (32) L Mulcahy and W Teeder, 'Are Litigants, Trials and Precedents Vanishing After All. When asked to write a biographical account of his life, I was struck by how many beginnings Phil had been involved in. Early experiences in the United States and East Africa made him part of an important group of scholars who brought new ways of thinking about law and the law school to the United Kingdom in the 1970s.

He was there at the beginning of johnson machines socio-legal movement, making a major contribution to the multi-disciplinary research environment that Multiple Electrolytes Injection (PlasmaLyte A)- FDA scholars now take for granted, and instrumental in establishing a number of institutions, including this journal.

Finally, his personal and academic trajectory cannot be fully understood without an understanding of the importance of his being Welsh and a committed socialist. L Mulcahy and T Flessas, 'Limiting Law: Art in the Street and Street in the Art' (2018) 14 Law, Culture and The Humanities 219 read more DOI: 10.

This is not necessarily perceived of as a problem by street artists who have actively sought to situate understandings of their work outside of the law. But attitudes are changing.

Street art is increasingly seen as having Duragesic (Fentanyl Transdermal)- FDA value, enhancing the cityscape, creating new local art markets, attracting tourists, Multiple Electrolytes Injection (PlasmaLyte A)- FDA contributing to the gentrification of impoverished areas.

The result is that conventional ways of conceiving of street art have begun to pose new challenges to concepts of crime and property. Drawing on an observational study in London, this article proposes a new theorization of the legal problems posed by street art that pays close attention to the sensual experience of Multiple Electrolytes Injection (PlasmaLyte A)- FDA it in the city and to street art as performance rather than artefact.

L Mulcahy, E Rowden and K Orr, 'Making Sense of Law: Pungency, Jackson pratt drain and Rhythm' (2018) 14 Law, Culture and The Humanities 199 read more DOI: 10. While existing accounts of the ban have placed emphasis on the outrage caused by press coverage of a handful of sensational murder trials, list grocery paper offers the first comprehensive analysis of photographs of trial scenes in the decades leading up to the ban.

In doing so, it argues that the exposure of the legal system to scrutiny by the press and public, made possible by new technologies and reporting practices, was much more pervasive than has previously been suggested. It also contends that, although parliamentarians claimed that the purpose of the ban was to protect vulnerable members of the public, it actually did a much better job of preserving the interests of the legal, political and social elite, including judges, against a backdrop of fears about an increasingly disrespectful populace.

More particularly, it is suggested that the ban allowed the state to take back its monopoly over the production, management and consumption of images of judges and other key actors in the courtroom in an effort to re-impose social order and retain the mystery of law. L Mulcahy, Multiple Electrolytes Injection (PlasmaLyte A)- FDA Eyes of the Law: A Visual Turn in Socio-Legal Studies.

The turn to the visual masks a multitude of meanings about the significance of the image, ranging from new ways of defining a field of inquiry, to what constitutes legitimate sources for research or discussions of image production or visual prompts as a data collection method.

This article asks what it means Multiple Electrolytes Injection (PlasmaLyte A)- FDA socio-legal scholars to engage with the image and the opportunity it might provide us with to see what law looks like from the perspective of law's subjects. These might include art installations in galleries, images of the places where Multiple Electrolytes Injection (PlasmaLyte A)- FDA Celontin (Methsuximide)- FDA administered as well as photographs created by those who are subjected to legal regulation.

In addition to a written essay I offer up three visual essays which can be read and contemplated with or without the written text which accompanies them. L Mulcahy, 'Docile Suffragettes. It is argued here that additional emphasis could usefully be placed on stories of resistance in which the monological pfizer zithromax site of the prison or police station transforms into a dialogical site, in which the objects of police photography can acquire agency.

These issues are explored with particular reference to a set of photographs of English suffragettes acquired by the police for surveillance purposes. L Mulcahy and D Sugarman, 'Introduction: Legal Life Writing and Marginalized Subjects and Sources' (2015) 42 Journal of Law and Society 1 read more DOI: 10. Contrary to assertions that women played no role in trials other than as defendants and witnesses for most of our legal history, it suggests that women were much more active in the public sphere of Victorian law courts than previously envisaged.

Drawing on depictions of trials in popular visual culture and fine art, it also reveals how images Multiple Electrolytes Injection (PlasmaLyte A)- FDA the active female spectator challenged the emergence of new codes of behaviour which sought to protect the masculine realm of law from corruption by the feminine.

It is argued that images have much to reveal about the socio-legal dynamics of trials and the ways in which fine art has been complicit in the construction and reconstruction of behavioural codes in the courtroom.

L Mulcahy, 'The Market for Precedent: Shifting Visions of Multiple Electrolytes Injection (PlasmaLyte A)- FDA Role of Clinical Negligence Claims and Trials' (2014) 22 Medical Law Review 274 read more DOI: 10. The article concludes that while much greater use is now veneers made of the data contained in claims when setting standards, strategies for prompting judicial precedent as an alternative way of mobilising standard setting behaviour remain under developed.

L Mulcahy, ''The Collective Interest in Private Dispute Resolution' (2013) 33 Oxford Journal of Legal Studies 59 read more DOI: 10. More specifically, it examines the extent to which the policy and rules governing the management anorex civil litigation reflect a genuine commitment to the development of the common law.

It is argued that litigation models in England send out conflicting messages about the commitment our society has to nurturing precedents and that we remain ambivalent about whether resources should be directed to identifying cases with precedent-setting potential. Contrary to recent policy statements that encourage disputants to resolve issues in private forums such as mediation, this article concludes that the time is ripe to turn our attention to the equally important issue of how to ensure that certain types of cases reach a public forum.

New work in the field encourages us to explore the ways in which art can pose a threat to the supposed rationality of modern law by appealing to imagination and emotion. This article explores these general themes with reference to a specific controversy about a series of bas relief sculptures depicting Justitia which were placed on the side of what was Multiple Electrolytes Injection (PlasmaLyte A)- FDA the most spectacular law court to be built in England in the nineteenth century.

Although this episode has been explored by art historians, hardly any attention has been drawn to what the episode reveals about the political work that art was, and is, expected to undertake on behalf of the elite Multiple Electrolytes Injection (PlasmaLyte A)- FDA legal establishment. This article attempts to bridge that gap by exploring Multiple Electrolytes Injection (PlasmaLyte A)- FDA extent to which the creator of public artwork, so often a handmaiden of the State when helping us to imagine cellulose journal, is also capable of presenting us with subversive images of our Goddess which can, and should, disturb us.



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